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Authors

A

Fabiano Alborghetti,

Carole Allamand,

Urs Allemann

B

Guido Bachmann,

Jean-Luc Benoziglio,

Sibylle Berg,

Bern ist überall,

Donata Berra,

Clo Duri Bezzola,

Peter Bichsel,

S. Corinna Bille,

Hans Boesch,

Giovanni Bonalumi,

David Bosc,

Nicolas Bouvier,

Anne Brécart,

Irena Brežná,

Lukas Bärfuss,

Katja Brunner,

Ernst Burren,

Julien Burri,

Roland Buti

C

Arno Camenisch,

Alex Capus,

Maurice Chappaz,

Gaston Cherpillod,

Jacques Chessex,

Anita Siegfried (Text),

Claudia de Weck (Ill.),

Martina Clavadetscher,

David Collin,

Nicolas Couchepin

D

Flurin Darms,

Massimo Daviddi,

Martin R. Dean,

Zora del Buono,

Max Huwyler (Text),

Dieter Leuenberger (Ill.),

Franz Dodel,

Elvira Dones,

Friedrich Dürrenmatt,

Ralph Dutli

E

Dorothee Elmiger,

Lisa Elsässer

F

Urs Faes,

Luisa Famos,

Andrea Fazioli,

Michael Fehr,

Anna Felder,

Felice Filippini,

Catalin D. Florescu,

Eleonore Frey,

Ursula Fricker,

Alexandre Friederich,

Max Frisch

G

Zsuzsanna Gahse,

Katharina Geiser,

Massimo Gezzi,

Andrea Gianinazzi,

Dagny Gioulami,

Eugen Gomringer,

Nora Gomringer,

Roman Graf,

Dana Grigorcea

H

Heinz Helle,

Reto Hänny,

Franz Hohler,

Thomas Hürlimann,

Michael Hugentobler,

Sandra Hughes

I

Felix Philipp Ingold

J

Anja Jardine,

Hanna Johansen

K

Lorenz Pauli (Text),

Kathrin Schärer (Ill.),

Christoph Keller,

Birgit Kempker,

Pascale Kramer,

Thilo Krause,

Agota Kristof,

Tim Krohn,

Robert Walser (Text),

Käthi Bhend (Ill.),

Meral Kureyshi

L

Monique Laederach,

Rolf Lappert,

Doris Lecher,

Pedro Lenz,

Pierre Lepori,

Eva Maria Leuenberger,

Gertrud Leutenegger,

Hugo Loetscher,

Catherine Louis,

Jonas Lüscher

M

Urs Mannhart,

Pietro de Marchi,

Plinio Martini,

Grytzko Mascioni,

Mariella Mehr,

Jérôme Meizoz,

Klaus Merz,

Michel Mettler,

Jörg Müller,

Gianna Molinari,

Perikles Monioudis,

Adolf Muschg

N

Melinda Nadj Abonji,

Andreas Neeser,

Jens Nielsen

O

Giovanni Orelli,

Angelika Overath

P

Rose-Marie Pagnard,

Andri Peer,

Oscar Peer,

Anne Perrier,

Rut Plouda,

Marius Daniel Popescu,

Dubravko Pušek,

Fabio Pusterla

Q

Claudia Quadri

R

Kuno Raeber,

Philippe Rahmy,

Dragica Rajčić,

Ilma Rakusa,

Nicolas Robel,

Antonio Rossi,

Gustave Roud,

Anna Ruchat,

Simona Ryser

S

Catherine Safonoff,

Isolde Schaad,

Hansjörg Schertenleib,

Michail Schischkin,

Hansjörg Schneider,

Kathrin Schärer,

Jürg Schubiger,

Hans Schumacher,

Ruth Schweikert,

Monique Schwitter,

Jon Semadeni,

Tommaso Soldini,

Anna Sommer,

Peter Stamm,

Michael Stauffer,

Bruno Steiger,

Michelle Steinbeck,

Jens Steiner,

Carmen Stephan,

Beat Sterchi,

Martin Suter

T

José-Flore Tappy,

Pierre-Alain Tâche,

Matteo Terzaghi,

Leo Tuor

U

Marie-Jeanne Urech,

Raphael Urweider

V

Aglaja Veteranyi,

Christina Viragh,

Peter von Matt

W

Robert Walser,

Frédéric Wandelère,

Julia Weber,

Peter Weber,

Markus Werner,

Urs Widmer

Z

Mary-Laure Zoss,

Matthias Zschokke

Massimo Gezzi

Il numero dei vivi

«From a gate ajar everyone sees / their own stories in the form / of irrigation ditches, fields of rapeseed, / profiles strutting against the changing / colours of sunrises.»

Six years after his collection «L’attimo dopo», Massimo Gezzi, with «The Living», has reached a new stage in his poetic journey. If, in his previous work, the influence of certain poets was evident - Eugenio Montale and Vittorio Sereni, for example, as well as Fabio Pusterla – in «The Living», such influences are less pronounced, and Gezzi comes fully into his own with poems that tend progressively towards prose.
The title reveals a need: to start counting again, to enumerate the topics and things which, in the previous book, focused on the theme of time; which were so precarious and ephemeral as to prove tragically elusive. «The Living» instead suggests a different ethical position and a new necessity: one that is born of being part of a community that is local (a house, a classroom, a city), but also planetary, that finds itself in an uncertain and violent time, and tries, sometimes without hope, to resist or oppose it. It is a book about the living and about their existence, deeply flawed, yet full of dignity.
In «Alias», the weekly literary feature ofIl Manifesto, the literary critic Massimo Raffaeli writes of this new collection of poems by Gezzi: «‹The Living› testifies not only to a further deepening of his exploration but, in particular, it reveals the author’s true character. The lessons of the masters and of his poetic peers have been absorbed and processed into a style that progressively tends towards prose [...], while the themes that in the past were linked to a historical or generational situation here are developed according to a pattern that is essentially existential: the uncertain and ambiguous light of everyday life; the privilege and the burden of fatherhood; the Socratic enigma of those who, in order to make a living, must teach every day, and must therefore take upon themselves the experiences of younger individuals, who are even more vulnerable and helpless.»

Recommended for translation by the Swiss Arts Council Pro Helvetia: www.12swissbooks.ch

Translation of title: The Living

Donzelli Editore, Roma 2015

ISBN: 978-8-86843-186-0

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