The author is not concerned with the divisions between poetry and science in his juxtaposition of the two, but much rather with what connects them. «Literature as a category of knowledge acquisition,» and the ether as an aura between hard and soft empiricism. Here, science and poetry meet at a third point: in the narrating character of a radio officer who writes poetry and spends most of his time on the high seas.
This radio operator seeks out resonance and frequencies to finally realize that words work like radio signals. In order to save electricity, «the rule of the smallest possible output» applies to signalling, and this is true in a similar way with poetry: the simplest word is the right word – the word that discretely evaporates in the ether.
(Beat Mazenauer, trans. by Simon Froehling)
Rimbaud Verlagsgesellschaft, Aachen 2005
ISBN: 978-3-89086-628-4